MUD: Organised by Hypothermia HQ – Dachi Cole, Candice Williams, Reba Maybury, Natasha Stagg & Clarinda Tse
29.09.2018
Celine Gallery proudly presents MUD (Multiple-User Dungeon) organised by Glasgow based production team Hypothermia HQ. Attention: To ensure entry please arrive early. Capacity is limited and doors will close at 9pm while performances run. Performances will contain explicit sexual content.
A Multiple-User Dungeon is a multiplayer real-time virtual world. MUDs combine elements of role-playing games, hack and slash, player versus player, interactive fiction, and chat. Players can view descriptions of rooms, objects, other players, non-player characters, and actions performed in the virtual world.
Doors at 8:00 pm. Performances will run on time from 9pm-10pm.
Candice Williams & Dachi Cole are artists working in sculpture, digital media and clothing. Reba Maybury is a writer, research consultant, model, lecturer, political dominatrix and founder of Wet Satin Press. Natasha Stagg is a writer, editor and author of Surveys published by Semiotext(e). Clarinda Tse is a Glasgow based artist. Her work employs movement, objects, body, and self.
Hypothermia HQ is a Glasgow based production team founded by Alex Fleming, Clarinda Tse, Francisco Ortega, and Nastja No.
Festivities begin on Saturday night September 29th at Jo Brand Gallery from 5-8pm for the opening of Caroline Mesquita & Tore Wallert. Please check it out before heading to Celine. https://www.facebook.com/events/684947051884202/
Parallel Vienna – Judith Leupi & Toby Christian
26.09.2018 - 30.09.2018
Celine is ecstatic to present the work of Judith Leupi and Toby Christian at Parallel Vienna.
Both artists practice have an ongoing concern for the object detached from its original environment and function; overlooked details from everyday architecture and structure, with an interested in the surface and materiality. The various attempts of translation and the possibility of giving the subject a new formal idiom through each of their interventions generate the potential of a new reference space to the viewer.
Judith Leupi (born 1983, Switzerland) lives and works in Glasgow, her work has been shown in a number of exhibitions including, The Lauriston Arches, Glasgow; The Glue Factory, Glasgow; the Waterfront, Belfast; Raum für aktuelle Kunst, Lucerne; Gelbes Haus, Lucerne; Centre Pasquart, Biel; lokal.int, Biel; Kunsthaus Langenthal; Sihlhalle, Zurich; Project R.F.Z.K. Berne; Kunstmuseum Thun; Museé Jurassien des Arts, Moutier.
Toby Christian (born 1983, UK) lives and works in London. His books Collar and Measures are published by Koenig Books, London. Christian’s work has also been included in exhibitions at the Bloomberg Space, London; Gasworks, London; The Freud Museum, London; The Royal Academy of Arts, London; The Armory Show, New York; The Whitechapel Gallery, London; The Santander Cultural Centre, Porto Alegre, Brazil and The New Art Gallery, Walsall.
Nightmares – Alex Rathbone, Urara Tsuchiya & Max Brand
06.08.2018 - 02.09.2018
Celine is excited to invite you to Nightmares a show with work by Alex Rathbone, Urara Tsuchiya and Max Brand.
Photography: Sean Campbell
Near me Need Help Edinburgh Leisure
21.04.2018 - 20.05.2018
Celine is ecstatic to present Near me Need Help an exhibition by Edinburgh Leisure.
There is a certain aesthetic ambience that Edinburgh Leisure taps into and adapts to its own ends. Despite eschewing any kind of direct commentary, it is committed to its own carefully honed brand of realism. The group takes its name from a trust operating sport and fitness facilities in Edinburgh, which functions at ‘arms-length’ from the City Council. Adopting the banal in-house graphics of this organisation and others like it, Edinburgh Leisure holds up a mirror to the semiotic landscape of contemporary Scottish life. This is a landscape where the signifiers of privatised civic infrastructure vie for attention with those of syndicated digital platforms, engendering a broader political situation that poses significant challenges to previously held conceptions of both governmental responsibility and corporate accountability.
The three metal grills affixed to the windows of the gallery share an affinity with the visual effects that accompany Edinburgh Leisure’s live shows. At these performances, logos appropriated from a range of sources –often popular media outlets such as BBC, ITV4, Dave, Netflix, Pornhub– are passed through computer software that converts them into animated forms determined by the music being played. At Celine, the ‘daisy wheel’ branding used by the Royal Bank of Scotland since 1969 has been treated in a similarly fetishistic manner, undergoing a process of abstraction before being plasma-cut into sheet steel. These objects are, like the Resolume VJ software that powers the visuals of an Edinburgh Leisure performance, designed to function as generators of live imagery. This form of presentation could just as easily be described as a protracted event as an exhibition. It could almost be interpreted as an inhabitable version of the limbo-like television idents used to abridge programming and advertisements.
In equal measure the appropriated logo that features on these grills embodies national stereotypes of fiscal prudence, as well as connotations of the leveraged practices that eventually led to the bank’s bailout during the 2008 financial crisis. While occupying the position of Victorian shuttering traditionally found in Glaswegian tenement flats, the steel panels sport the industrial appearance of perforated cladding used to secure vacant buildings. Throwing shadows onto the walls and floors of the gallery the effect is a literalisation of the largely unseen, yet all-encompassing backdrop that corporate entities such as Royal Bank of Scotland play in our everyday lives.
Just as the growing obfuscation of the boundaries between public services and free-market sovereignty can be characterised as one of the leitmotifs of contemporary society, this installation is likewise inscrutably layered. It is with a distinctly sardonic air that such incongruous material has been re-deployed in the service of immersive spectacle. However, this does not reflect mere cynicism on the part of Edinburgh Leisure, but is rather an inversion of the insidious annexation of collective resources by private concerns. For them, establishing momentary ownership over this class of imagery is a means of making it ‘dance to our music.’
Text by Neil Clements
http://keithfarquhar.co.uk/
http://instagram.com/keith.farquhar
https://soundcloud.com/50-pure
Photography: David Excoffier
Glare
25.03.2018
This event explores self-organisation, DIY cultures and the ways in which people resist an ever-increasing demand to professionalise and legitimise their actions. With live musical performances from Alicia Matthews (LAPS and Sue Zuki) and Susannah Stark alongside a programme of moving image including Lucy Thane’s It Changed My Life: Bikini Kill In the UK (1993), Alberta Whittle’sMammmmmywata presents Life Solutions International (2016) and Juliana Huxtable’s A Split During Laughter at the Rally (2017). Alberta Whittle will also be sharing a new text based piece.
I See You Man
25.02.2018 - 31.03.2018
Celine is happy to present an exhibition organised by Nadia Hebson and Sophie Macpherson:
In summer of 2016 Sophie Macpherson and I (Nadia Hebson) worked on a text which explored our shared interests in apparel, physicality, female subjectivity and friendship. Drawing on skype and email conversations the text took an epistolary form and ranged through personal perspectives on women artists’ practices and international events such as the ‘migrant crisis’ and the EU Referendum, alongside descriptions of sports clothing and club wear, and reflections on Dominique Strauss-Kahn and the paintings of Christina Ramberg. An unguarded but none the less edited script, the text became a short hand for the creative space of female friendship.
Writing about Elena Ferrante’s Neapolitan novels which detail the lifetime relationship of two women from an impoverished Neapolitan neighbourhood the writer Natasha Soobramanien likens the women’s friendship to an act of translation. Soobramanien writes ‘Lila and Lenù are translated beings, translating one another, shifting continually between the Neapolitan dialect of their childhood and the standard form of Italian both have a talent for expressing themselves in. And it is in this more rarefied linguistic sphere that Lenù finds success, and her professional voice as a writer (a voice modelled on Lila’s writerly voice)’. Lila and Lenu steel themselves through the confines of 60’s, 70s’ and 80’s femininity through the persistence of their complex friendship, which Ferrante so carefully atomises. They see one another and at times offer each a template for being, Ferrante’s writing of their friendship is closely analogous to the experience of creative friendship. And to understand female friendship as a form of translation is to recalibrate its constituents, becoming a space of attention, mirroring, testing, exchange, admiration and productive envy, a space of agency.
In taking the complexities of female friendship and the communicative possibilities of dress as a starting point we have invited artists and writers who are friends and potential friends to contribute work to I See You Man. These artists and writers work explore ideas of mentorship, resonance as described by Italian Feminist Carla Lonzi, feminist activism, translation, biography, fictional autobiography and the agency of dress.
Exhibiting artists: Phoebe Blatton and Annika Hüttmann, August Fröhls, Nadia Hebson, Stanya Kahn and Harry Dodge, Ellen Lesperance, Sophie Macpherson, Julia Schmidt, Clemence Seilles, Clare Stephenson
The title of the show ‘I See You Man’ is taken from work by Stanya Kahn and Harry Dodge.
On Saturday 31st March Celine will host an afternoon of performance, readings, talks and a reading group where the following texts and related material will be discussed. The below books and texts will be available throughout the duration of the exhibition.
Library:
Ingeborg Bachman, Three Paths to the Lake
Lucia Berlin, Manual for Cleaning Women
Kate Briggs, This Little Art
Daniela Cascella, Singed
Elfriede Jellinek, Jackie http://siti.org/sites/default/files/JACKIE_WP_2.27.13.pdf
Carla Lonzi, Autoritratto
Dorothy Richardson, Painted Roofs
Natasha Soobramanien Five Notes on Smarginature https://writingsoundbergen.wordpress.com/2016/11/19/five-notes-on-smarginature-by-natasha-soobramanien/
Christa Wolf, The Quest for Christa T
Photography: David Excoffier
Monica Lewinsky at the Theatre of Dionysus Cammisa Buerhaus
30.08.2017
A Tragic Comic Monologue
Written and Performed by Cammisa Buerhaus
Trying to make ends meet after losing everything at the White House, Monica Lewinsky decides to throw caution to the wind and take up a life as a bartender. Her first stop, the Theatre of Dionysus, a small pub in Glasgow’s Southside. She befriends a drunk patron and tells them her tale. But what is Monica’s story? A remake of Euripides' The Bacchae starring Monica Lewinsky as a Maenad, tells the story of Washington D.C. circa 1992 with fan fictional surprises.
Cammisa Buerhaus is a writer and performer based in NYC. Her film 'Private Lives' has been exhibited widely, most recently in an exhibition curated by Georgia Sagri in Athens, Greece. Recent performance work includes; a starring role in Richard Maxwell’s 'The Evening', Language for titre provisoire’s ‘Some Things In Common Perhaps’, and Cecilia Corrigan’s 'Motherland'. Other recent collaborations include the opera Justin Bieber Bathos Elegy with Felix Bernstein, and performance ensemble NYCDBOS with Kayla Guthrie and Martina Gordon.
Photography: David Excoffier
Rita McGurn
31.07.2017 - 27.08.2017
Celine is very excited to present works by Rita McGurn (1940-2015).
Privately McGurn worked prolifically, making paintings, drawings and sculptures. As such, and without a studio, the family home became an artwork in itself. Walls, carpets and furniture were transformed into paintings and sculptures, shoes painted leaopard skin matched the painted chairs and cupboards, the walls became murals, lights covered in tiny bottles and broken glass became chandeliers. Central to this inexhaustible and boundless practise, McGurn used crochet as a medium for 2 dimensional and 3 dimension art works creating tapestries, carpets, framed pieces, and figures, some of which are shown here. Selected in collaboration with McGurn's daughter France-Lise the work spans different periods of her life time and creates an installation which reflects the work she made for both public and domestic settings.
Rita Mcgurn was a self-taught artist and designer. She began work as an interior designer when she and her family moved to Zambia in the 60s. Upon returning to Glasgow she moved into production design on commercials and films. She continued to work in interior design for private residences and businesses, an example of which can be seen on the store front of Strawberry Fields, a children’s clothes shop on great western road. McGurn had several exhibitions throughout her life most recently at Iota gallery in partick. She was also commissioned to make the smokestack sculpture for the Twomax building in the Gorbals, which still stands and can be seen on the woman’s library tour of Glasgow.
With special thanks to Dani Metzstein, Martina Gormley, Monica McCarey and the McGurn family.
Photography: David Excoffier
Jonas Lipps
18.06.2017 - 15.07.2017
In collaboration with Melissa Canbaz, Celine is proud present an exhibition of new drawings and paintings by Berlin based artist Jonas Lipps.
Recent exhibitions include: Grieder Contemporary, Zurich (2016), LISZT, Berlin (2015), "Recent Drawings", at walks news, Berlin (2015), "Recent Drawings", at Paradise Garage, Los Angeles (2015).
Photography: David Excoffier
You, Telluric Thing – Marine Julié
20.05.2017 - 10.06.2017
Celine is pleased to present ‘You, Telluric Thing’, a solo show by French artist Marine Julié.
Julié’s work questions the masculine values which underpin historical narratives and monuments to glorious battles and great men which she struggles to identify with. The work presented depict transgressive authority figures through a pictorial language that references, traditional South Asian painting, Greek red-figure pottery and Egyptian hieroglyphics to subvert the aesthetic vocabularies that once articulated the very values she interrogates.
Marine Julié is based in Switzerland, her work has been shown in a number of exhibitions including Wunderkammer, Lausanne, Switzerland (2017) La fôret d’art Contemporain, Parc Régional des Landes, France (2016) Triennale d’Art Contemporain du Valais, Martigny, Switzerland (2015) La SAS, with Fabrice Gygi, Lausanne Switzerland (2014) Basis, Frankfurt, Germany (2013) Biennale d’Art Contemporain d’Anglet, France (2013).
Photography: David Excoffier
Jungle – Alexander James Pollard
20.04.17 - 13.05.17
Please join us for the opening of 'Jungle', an exhibition of new paintings by Alexander James Pollard.
Alexander James Pollard (b. 1977, Brighton, England) studied BA (Hons) Painting and Drawing at Glasgow School of Art from 1996-99, participating in an exchange program at the School of the Art Institute, Chicago in 1997.
His MPhil titled A Genealogy of Bad Painting – Legacies, Soft Objects and Networks was undertaken part-time from 2012-17 at Goldsmiths College, London. Pollard was a curator for two years at Transmission gallery, Glasgow between 1999 and 2001. In 2005 Pollard represented Scotland at the Venice Biennale. Other solo exhibitions include: Hot Lava, Project Room, Glasgow (2012); Collaborations, Sorcha Dallas Gallery, Glasgow (2010); Tea-Leaf Demeanour, Whitechapel Project Space, London (2008) and Black Marks, Talbot Rice Gallery, University of Edinburgh (2007). Group exhibitions include Counter Facture at Luhring Augustine, New York in 2007, the Santorini Biennale in 2012 and The Irregular Correct – New Art from Glasgow at the Fremantle Art Centre, Fremantle, Australia (2012). Pollard lives and works in London.
Photography: David Excoffier
Those Pesky Kids – Mick Peter
12.12.16 - 21.01.17
Those Pesky Kids is an exhibition of new work by Mick Peter featuring a series of uncharacteristically discrete sculptural comic panels.
Mick lives in Glasgow, UK. He has recently had solo shows at Tramway, Glasgow, and Drawing Room, London. Recent group shows include Natural Selection' at Galerie 5, Angers, France and 'Corps narratifs' at the Domaine départemental de Chamarande, Chamarande, France. His next project is 110%, a solo show at Workplace Gallery, Gateshead opening January 2017.
Thanks to Rob Jackson and Calum Stirling for their help in realising this work.
Mick is represented by Galerie Crèvecoeur, Paris.
Photography: David Excoffier
Georgia Horgan and Clunie Reid
22.10.2016- 26.11.2016
Celine is ecstatic to present a two-person exhibition by Georgia Horgan and Clunie Reid around sexuality, agency, power and mysticism. Conceived around a conversation about the work of performance artist and musician Cosey Fanni Tutti, the show will also feature an original copy of one of Cosey’s Magazine Actions as an addendum to the works presented by each artist.
The exhibition continues until 26 November, on Saturdays from 1–5pm or by appointment.
Also showing is Brook, a touring screening programme curated by Roisin Mcqueirns and Rosanna Puyol, featuring videos by Marnie Weber, Stuart Middleton and GOD.
Clunie Reid (b. 1971) lives and works in London. Recent exhibitions include: In Pursuit of the Liquid, MOTINTERNATIONAL, London (2013); ICA Off-Site: A Journey Through London Subculture 1980s to Now, The Old Selfridge Hotel, London (2013); Open Heart Surgery, The Moving Museum, London (2013); Black Light, Palais de Tokyo, Paris (2012); Clunie Reid – Hannah Perry, Arcadia_Missa, London (2012); and Art Now, Tate Britain, London (2010).
Georgia Horgan (b. 1991) is an artist based in Glasgow. Recent exhibitions and projects include Saturday, Glasgow International (2016); Neo-Pagan- Bitch-Witch!, Evelyn Yard, London (2016); and Machine Room, Collective, Edinburgh (2015). She has a forthcoming solo exhibition at Public Exhibitions, London, in early 2017.
Photography: David Excoffier
Arm’s Length Government Body – Shona Macnaughton
08.10.2016
Arm’s Length Government Body is a new performance work by Shona Macnoughton which takes as it’s starting point the unique conditions of property in which Céline finds itself, drawing attention to the space as a private dwelling house which can never be owned by its occupants. The audience will bear witness to an intimate contractual arrangement as they are taken through heart warming scenes of domesticity. Tones of care will create new grounds for eviction.
Shona Macnaughton (b.1983, London) She is currently based in Glasgow and gained an MFA from Edinburgh College of Art in 2009. Recent projects and exhibitions include: The Universal Schoolgirl (2016) performed as part of the Jerwood Staging Series, Jerwood Space, London and ‘The Scottish Endarkenment. Art and Unreason. 1945 to Present’, Dovecot, Edinburgh, When Slaves Love One Another, It’s Not Love (2014) commission for Edinburgh Art Festival, with Talbot Rice Gallery, Edinburgh (2014) and Accept the mystery! (2015) performance project with Eastern Surf, at Hangar, Barcelona and The Northern Charter, Newcastle.
Photography: David Excoffier
STOKE A FEW LULLING CINDERS AND LET THE ASH SET AROUND
28.08.2016
Celine is excited to announce an afternoon on Good Press with readings, visual offerings and editions from Joanne Dawson, Kathryn Elkin, Judith Hagan, Jessica Higgins, Nick Lynch, Ewan McCaffrey, Jamie McNeill, Owen Piper, David Roeder, Sarah Rose, Matthew Walkerdine, Fritz Welch and Rebecca Wilcox.
Перун – Jedrzej Cichosz
21.05.2016- 19.06.2016
Celine is pleased to announce the opening of Перун, a new solo show of paintings set to music by our neighbor, Polish born Jedrzej Cichosz. Перун a Slavic god is depicted on canvas among a host of Nordic deities.
Cichosz lives downstairs from the gallery, he is an artist and Basketball referee who often works collaboratively across a range of media, making paintings, performances and music. He has studied at the National School of Fine Arts, Villa Arson, Nice; Tartu Art College, Textile Department, Estonia; University Joseph Fourier, Water Treatment, Grenoble, France; Gdansk University of Technology, Department of Chemistry, Environmental Protection and Management, Gdansk.
Recent performances and shows include:
Mega Hammer 2, Glasgow International (2016), Circus in Between Worlds, Glasgow International (2016) Promenada TOPOGLANI, International Museum of Naïve Art, Nice (2015) The Legacy of Tadeusz Kantor, Scotland Royal Scottish Academy Edinburgh, Szalona Lokomotywa (2015) CHAR NAH HOR, Glasgow Open House Festival (2015) Od Tylu i Do Przodu, Performance with Blame, Gdansk (2015) Trois pas de côté, Villa Arson Contemporary Art Center, Nice (2014)
Photography: David Excoffier
Alcoholism – Dan Mitchell
08.04.2016- 08.05.2016
Celine is excited to announce Alcoholism an exhibition by Dan Mitchell
Opening: Friday 8th April 6 - 8pm
Bar: Only whisky or vodka, mixer Diet Coke
And also:
VERY SPECIAL PEFROMANCE: Saturday 9th April 3pm sharp
The Rebel and ex Country Teasers frontman, will be defying gravity. Suspended in mid-air he will perform the entirety of Anti, the new album by Rihanna or Pink Floyd's The Final Cut…
But as alcoholism is an illness of uncertainty we can't say which at the time of writing...
Show and bar open till 5pm.
Photography: David Excoffier
Nieces, Nephews – Gordon Douglas
05.02.2016
Nieces, Nephews marks the first public outcome of a conversation conceived by Gordon Douglas around the seminar ‘Performing Life’ that he and Georgia Horgan attended whilst studying at CalArts. The research has evolved around a common interest with Georgia and Celine in notions of reproduction, documentation and cultural inheritance in performance art and education.
The evening event will be performed by Gordon Douglas and Georgia Horgan
Le Cruel et Curieux Vie Du La Salmonellapod, 2001
Alex Bag and Ethan Kramer
His Girlfriend is a Robot, 1996
Alex Bag
I wonder who’s been around here long enough to know?, 2016
Gordon Douglas
plus a text from Caitlyn Outfit: The Maintenance Guy is Dead; Long Live the Maintenance Guy, 1976$
Alex Bag was born in New York in 1969 and received her BFA from Cooper Union. She is most widely recognised for her ironic performance videos of the 1990s and 2000s, where she performs as multiple personae amidst fragments of pop detritus. Bag grills the tropes of consumer and media culture in droll conceptual parodies that take cue from televisual experience. From 1994-1997, Bag produced a public broadcast television programme ‘Cash From Chaos’ alongside frequent collaborator Patterson Beckwith. With her signature deadpan delivery and deliberately low-tech style, Bag questions how we define ourselves in relation to television, fashion, advertising and the artworld. Her father worked in advertisement, and her mother was the host of a popular children’s television programme – The Carol Corbett Show, which was later renamed The Patchwork Family.
Caitlyn Outfit is the name of a group of artists, thinkers, activists and performers who met and practiced under the United States Federal Witness Protection Program in the 1970s. Originally from different cities across the US, the group were brought together in nearby rural towns in central America. Having such a de-centered locale, the general discourse the group were aware of was greatly mediated by printed material (magazines, journals and books), television, and radio broadcast. The outfit therefore developed their own personal discourse – a thrown-together assemblage of thoughts by contemporaries, as well as ideas born out of their situation as anonymous indebtors to the witness relocation scheme. The Outfit practiced principally through conversation with one another, but had a minor amount of public outlet through self-published text, performance score and sound art.
Gordon Douglas is a performance artist and collaborator living and working in Glasgow, Scotland. He is currently invested in developing alternative models of co-inhabitance, friendship and organisation by instigating working dynamics with artists, designers and practitioners. His father works in investments and his mother works in dementia daycare.
Georgia Horgan is an artist based in Glasgow who uses video, performance, sculpture, appropriation and collaboration to research how histories are represented and politicised. Her father is a mechanic, and her mother formerly owned a travel agency in Surbiton, until the late nineties when she sold the business to become a full-time mother.
Photography: David Excoffier
Hybrid – Aniara Omann
31.01.2016
A hybrid is per definition a merged version of two, or more, individual entities. This merged version exists on its own as a new individual, holding within it the definitions of each of the multiple individuals.
Following this train of thought, we can question what a merging is, when it is occurring, and what this means to our idea of individuality.
Five artists, who all have specific interest in the subjects of biology, environmental issues or science fiction, have been asked to write texts considering the idea of ‘the Hybrid’, and the potential expanse of individual objects.
At the event performer Phoebe Amis will do a reading of the texts that have been submitted in response to the theme.
The contributing artists are:
Brandon Cramm (US)
Hannah James (UK)
Francis McKee (IRE)
Joanna Monks (UK)
Scott Rogers (CA)
Additionally there will be a live demonstration of the Halo Harp.
The Halo Harp is a cross-beamed, laser based musical instrument produced in Glasgow, which has the capacity for recording, playing back and controlling sounds.
Physicist Giles Hammond will give an introduction to the harp.
Photography by: David Excoffier
Aniara Omann & Jos De Gruyter and Harald Thys
27.09.2015 - 17.10.2015
The inaugural show features the sculptural works of Glasgow based artist Aniara Omann, her latex casts depict the heads of human and extinct animal hybrids and are accompanied by the oddly disembodied voices of the peculiar characters present in the video work of Belgian duo Jos De Gruyter & Herald Thys.
Aniara Omann born in Denmark, 1987. Lives and works in Glasgow. She graduated from Funen Art Academy, and Master of Fine Arts at Glasgow School of Art. She has shown in a number of exhibitions including Voidoid Archive, Glasgow (2015), Intermedia, CCA, Glasgow (2014), Brandts, Odense (2012) and Fift h Floor Gallery, Copenhagen (2010).
Jos De Gruyter & Herald Thys born in Geel, Belgium, 1965 and Wilrijk, Belgium, 1966. Live and work in Brussels, Belgium. They have had solo exhibitions at MoMA PS1, New York (2015), The Power Station, Dallas (2015), CCA Wattis Institute for Contemporary Arts, San Francisco (2015), Kunsthalle Wien (2014), M HKA, Antwerp (2013), Mu.ZEE, Ostend (2012), Kunsthalle Basel (2010) and Culturgest, Lisbon (2009).
Photography: David Excoffier