Majali and Taylor’s respective practices hold shared interests in, and desire for developing recalcitrant strategies, as a means of approaching/reproaching subject, system andpower. poetics of relation – the right to opacity – a history of misrecognitions – visibility as trap. They are working of and towards methods of refusal and withdrawal, stemming from a desire to retreat from particular ways of working and being, or making public. The works also stems from frustration, fatigue and cognitive dissonances. something vague and irrational illustrates and/or points to the feelings (as facts), frustrations and propositions that initiated collaboration.
Sulaïman Majali (b.1991) is an artist, writer and impostor.
Camara Taylor (b.1627) is an amorphous blob.